Richard Meier’s Douglas House

1- Where? This Project, just as umteen other Richard Meier projects, is built within a severely contrasting place setting of nature, hovering over the shores of lake Michigan. The white reinforced concrete and glass be easily differentiable from its exuberant background heavy in shades of green which invokes a sense of being deep within a forest, away from alone man made things, making the project all the more contrasting and also creating a sense of privacy for the entire property which is seldom achieved by dint of other methods.This natural environment plays a key role to the house, as it provides astounding overtakes of lake Michigan and the vegetation surrounding it from the more frequent sectors making up the house. Concerning the atmosphere of the house it is of great interest the constitute separation of public and private spaces in the house. The living dwell receives a great amount of cheer creating a very contemplative atmosphere, which is the result of the co nscious arrangement of furniture and other elements in the style of the natural beauties surrounding the house.As previously mentioned, the house is built within a context of nature and relies heavily on the contrast its white reinforced concrete walls will provide once against the houses natural background with changing colors around the season. It is built with the intention to be as cobblers last to its natural environment as possible, with as few trees as possible removed to nonplus way for the construction of the house, it is lodged overlooking lake Michigan. So steep is the fall of the land from the road down to the urine that the house appears to have been notched into the site (Meier & Partners.Online. ). The house has a very simple intention in respect to type, to be a comfortable place to live, separating successfully the public and private theatres of the house, exposing the living room and other public spaces to astonishing natural views we can appreciate from the inside the house thanks to the undischarged glass panels facing them, while the more quiet and private sector of the house is hidden from this view and closer to the street on the backside of the building, bringing together under the same roof the cardinal different kinds of spaces needed for a house to be truly complete. When? The Douglas House is the culminating work of the first effect of Meier, where all the ideas developed in the experiments in individual(a)-family homes resulted in a more balanced and imaginative anatomical structure. create in the 1970s, it became a symbol of that period of rationalism. It is an architectural piece very closely associated with the period of measure it was created, a true symbol of its time. Meier was able to capture the powerful tendencies of the time with his personal mate and a revolutionarily modern angle from which we can very still learn very much today.The keeping the house emerges is one of the modernist movement in the seven ties, it brings thoughts of the time when modernism was beginning and being experimented with evoked by the houses purity and whiteness, common in Richard Meiers architecture 3- How? In this house, Meier proposes formal, space-rich compositions. He unionised the internal space such that the small, tight main entrance opens into a large space encase in glass. This style allowed him to express various themes the contrast in the midst of light and shadow, the change in spacial scale, and access via ramps, bridges and stairs.A skylight running nformer(a) the full length of the roof deck focuses cheerfulness into the living room reinforcing the separation between the public and private sectors of the house (Meier Partners. Online. ). The exposure to sunlight the public section of the house has helps differentiate and bring a different mood to the separate spaces of the house, light is a definining element in this project which allows for the view and the public area to be really sh ine and comport a part from the opposite section of the house.The houses color or lack at that placeof is part of a usual attribute in Richard Meiers architectural work, his aesthetics focus on refined lines and a strong sense of function. The lightness to his architecture of planning grids, his play of light and shadow and the absence seizure of any color but white are a mechanism for purification. His white, block-like structure cant get more white. Whiteness is perhaps the memory and the anticipation of color. Has claimed Richard Meier on interviews. The color white has buy the farm a symbol of modernismo in architecture thanks in no small part to him. present we see the whitness of Meiers projects illustrated in his Modern White Beach House. There is much to observe in the constitute of Richard Meiers Douglas House, The shape is a large white prism that emerges from between the trees, further step up the concept of the houses dependance and unity with its environment.The back of the house is a disagreeable facade with small openings while the front features with large glass panels offering extensive views over the horizon. The shape and arrangement of the windows are in strict compliance with the privacy inevitable in each area of the home. 4. What? The function of the house is clearly intended to be for a single family, with all the necessary spaces required for the commodity of the family, and a very interesting combination of public and private spaces in the house that are very clearly separated.The function of the house defines a great part of the creative process, and ultimately shapes a great deal the way the house turns out from an architectural standpoint. The character of the house, is defined by the materials utilise in it, its form and function all describe the type of structure it is intended to be by the architect. Richard Meiers signature of sorts can be seen here as the Douglas House shares several attributes with many other Richa rd Meier plant life. 5. For Who?Use is fairly clear in this structure, it is meant as a home for a single family, this mans everything radiation diagramed in the house has the final objective of being useful or adequate for a single family, every part of the house moldiness have the familys best interest in mind, just as is the case with Richard Meiers planning of the Douglas House User in this case is again a reference to the expected future occupants of the architectural piece the entirety of the houses design is oriented in order to fit those needs of the people who will be living there when the house has been finished . With What? Beginning with reinforced concrete, Meier makes desired subtractions from the volume but maintains the glass structure individually of the foundation. The house is positioned on a very inclined plane, which makes it necessary for the structure to be very resistive and to be planned in such a way that it can maintain the level of the house, having foundations that turn over deep under the ground. Bibliography Rodolfo Barragan An architectural score Recording and reading orchestrating an architectural experience Chicago, Illinois May 2008Adrian forty Word and Buildings A vocabulary of Modern Architecture Thames Hudson USA 2008 Meier, Richard /preface by Richard Meier essays by capital of Minnesota Goldberger and Joseph Giovannini afterword by Joseph Rykwert.. Richard Meier Houses and Apartments. New York, NY Rizzoli International Publications. , 2007. Richard Meier architect 1992-1999 / Richard Meier / essays by Kenneth Frampton, New York Rizzoli, 1999 Douglas house, maintain Springs, Michigan, design 1971 completion 1973 architects Richard Meier and Associates. Magazines J. Michael Welton. under Waterfront. Dwell October 2011 118-124. Author Giovannini, Joseph, Source Form pioneering design 2007 May-June, p. 50-57 Document English Author Stephens, Suzanne, Source architectural record 2003 Mar. , v. 191, n. 3, p. 65- 66,68,70 Document English Web Pages Elizabeth Edwards. Step Into The Douglas House, a Richard Meier Renowned Home in Harbor Springs. Mynorth. com. 2010. Traverse. September 6 2012 http//www. mynorth. com/My-North/February-2010/Step-Into-The-Douglas-House-a-Richard-Meier-Renowned-Home-in-Harbor-Springs/.Perez , Adelyn . AD Classics Douglas House / Richard Meier 28 May 2010. ArchDaily. Accessed 09 Oct 2012. Glei, Jocelyn K. Richard Meier Partners Architects Limitations Are An Opportunity 20 June 2009. 99u. Accessed 12 Nov 2012. http//99u. com/articles/6883/Richard-Meier-Partners-Architects-Limitations-Are-An-Opportunity 2 . Nature invoked to justify artistic license. The sixteenth-century garden of Italy, like the Villa Lante, ( had aimed to make out nature works that demonstrated the superior power of human intellect and artifice over natures softness to attain beauty when left to itself. Andre Felibien. (Forty, 227) 3 . Atmospheres are percieved through human emocional sensibi ty. This form of perception kit and boodle incredibly quickly and humans evidently need it to help them survive. Humans are capable of present(prenominal) appreciation of a spontaneous emocional response of accepting or rejecting things in a flash (Zumthor, 2006, 13) (Barragan, 89). 4 . Context.The task of the architectural project is to reveal, through the transformation of form, the essence of the surrounding context. V. Gregott, 1982 introducing to French edition of Gregotti 1966, 12 (Forty, 132) 5 . Type. In the pursuit of meaning. The two remedies to this lay in the revalorization of type, and in the configuration of context ambiente as part of architectural. Ultimately, we can say that type is the very idea of architecture, that which is closest to its essence A. Rossi 1966, 1982, 41. (Forty, 309 and 304) 6 .Time is constituted not by the movements of objects but by the multiple structure of the leashfold present, a structure of human experience. The representation of ti me in threefold present retains the notion of time as elongated succession. By Saint Augustine(Barragan, 67) 7 . Memory This secondary pleasure of the imagination proceeds from the action of the mind, which compares the ideas arising from the pilot light objects, with the idea that we receive from the statue, picture, description, or sound that represents them ( The concept of empathy which reincorporates an emotional state or physical sensation projected upon the object of attention and popularized within architectural literature by Geoffrey Scott in The Architecture of humanism (1914) Wilson. (Barragan, 92) 8 . Architecture is at all times the simultaneous opticization of these three ideas of space of a three-dimensional coordinated space, of place, and of the four dimensional space-time continumm. (Van De Ven, 46. ) (Barragan, 59. ) 9 . Light.When an architect finally discovers that light is the rudimentary subject of Architecture, that is when he o she has began to under stand something and begun to be a real architect ( ) Not for cipher does the sun rise ever day. Alberto Campo Baeza. (Barragan, 71) 10 . Color can be understood through the optics and phsiology of visual perception as well as the physics of Light and wave lenght. In visual perception, a color is almost never as it really appears. In order to use color efficaciously it is necesary to recognize that color continually deceives visual perception. Barragan, 77) 11 . Form in antiquity. Plato and Aristotle. For Plato form provides the solution to a complex of problems Form is apprehended by opinion with the aid of sensation. (Forty , 150) 12 . In English-speaking countries between about 1930 to 1960 ,functional became a catch-all term for modern architecture (Fory, 186) 13 . The charactr of his the architects work must refer solely to construction, and costruction to the idea which is to be expressed and to the material which is at his command for the purpose (Fory, 130) 14 .Archite cture is produced by ordinary people Therefore it should be easily comprehensible to all. It is base don a Lumber of human instincts, on discoveries and experiences common to all of us at a very early stage in our lives (Rasmussen, 14) 15 . What the user is meant to convey in architecture is clear enough The soulfulness or persons expected to occupy the work (Fory, 317) 16 . Structure in relation to architecture has had three uses. Any building in its enteriety , the system of support of the building,